First Kiss
The first interview for a place to study art was for the BA course at
Leeds, chosen from a Sunday Observer guide because it was a
University, therefore offering the chance to meet all sorts of people, and
right in the town to be more interesting than out on a campus.
I set out by train on a wintry day, a large portfolio under my arm,
made at school with bookcloth and card with tapes to tie it up with and
decorated with flung white paint a la Pollock, on a turquoise ground.
I was a slightly built girl, insubstantial, only seven stone of me, and
the fierce wind blowing across the bridge threatened to blow me into the
river. How could I one day be three more stones of flesh, so many more
cells, not one the same as on that day, but still the same person?
I arrived exhausted, to find myself put to draw in a large grand old
studio with a fancy plaster ceiling and a huge mirror, where all that day’s
interviewees were gathered. Eventually I was called in to see Quentin
Bell, an old bearded professor who seemed to be sketching me as I sat
there, maybe as an aide memoir or to ward off boredom.
I must have been keen because I was keen, but a few weeks later a
rejection arrived. My teacher, Mrs Roberts, my champion, the
unconventional one who had a lemon yellow board and blue chalk when
everyone else had a black board, who encouraged me to work large, to
stay in at lunchtime enjoying myself when everyone had to be outside,
the teacher who saw that I had talent, was angry. ‘He’s the last and the
least talented of the Bells’ she said, ‘I’m going to write to him and tell
him he’s missing a very good student’.
Places on art and art history degrees were very few. At Nottingham
University they took only ten. I went along in a brand new suit, mini
skirt four inches above the knee and jacket only two inches shorter, in a
loose weave multicoloured hound’s tooth tweed with wide reveres. My
Father took me there by car and waited in the huge lounge overlooking
a lake, sitting on a big mustard coloured leather settee. Personally he
thought art a bit of a waste of time, why couldn’t I study science and get
a good job and ‘keep your daubs for weekends’. So bloody insulting.
My storm of protest struck him silent, he had to accept it, at least I was
not getting married and having children like my Sister, at least it was a
University, I would get a degree, the world would be my oyster, the first
in the family to go away to study, as he would have liked to.
My Dad was clever but was forced to leave school and at fourteen go
and work in the Co-op, where he almost severed the top of a finger in
the bacon slicer and where at nightschool he learnt the geography of the
Empire from whence the groceries came and by day he mastered how
to wrap loose sugar in a piece of blue paper to make a sugar-tight
bag. He’d met his wife, my Mother, when delivering groceries to the
door, another secret, for some reason shameful, which I would not find
out for years and years despite asking.
The war gave my Dad the opportunity to travel,
work he loved as a despatch rider on a motorcycle
in Ireland and then as a fitter on the tanks in India, where he loved the
climate, to be hot rather than too cold. He always made it sound so
interesting that I formed a vague longing to visit India. He left out all the
rotten stuff, the worst of Burma, and there he was, smiling in the photos
with his mates, lean and fit and brave. My Mother told me once she’d
have liked to live in India, I think as an officer’s wife, going up to the hill
stations to avoid the heat and waited on by servants like in Kipling.
My Mother would have liked to have been a nurse but her Mother told
her that she was too small, not tall enough. This was untrue but worked,
kept a chance of keeping her at home, dashed by the romance of
meeting Frank, who followed her and her girlfriends down to St.Ives to
The Nook, friends from the punchcard job on the railway, and there she
was, in love and married at twenty-three, a baby on the way when he
had to go off to war, not volunteering like her Father had, but forced to
go, called up, and only a couple of photos of him, so young, smoking a
pipe, his wife in an elaborate deluge of white tulle with a massive bush
of roses and ferns dripping down, all carefully arranged by the
photographer, and then the honeymoon in a stylish checked jacket, dark
hair curled in a perm and that lovely, lovely smile.
So I was the only hope of some education, of a good job, of moving
upwards, of mixing with better people, as my Sister married a boy from
a poorer street who spoke with a more common accent and shook his
head nervously, maybe nice enough, but Anne was now lost to
domesticity and childcare, just as my father had in a way thrown aaway
his chances by marrying, settling down and having responsibilities.
The postwar child, conceived almost as a celebration of the National
Health Service, was another opportunity. She was not so introverted,
more confident, she sang on stage in competitions, she could have
done English at Liverpool, they offered a place but by then she was
decided on art. He wanted her to take elocution lessons but she refused.
She wouldn’t apply to Oxford or Cambridge because they didn’t do the
right courses, she was somehow strong willed and fearless, able to
stand her ground. He admired me and stood back a little in awe, unable
to get what he wanted, unable to say much more, but hoping for so
much.
Professor Smart wore suede shoes and danced round me to get to
the door first to open it for me. He asked me if I’d like to remove my
coat and despite the central heating being so hot, I explained I was
wearing a suit and kept the jacket on. He asked me if I thought I’d be
able to cope with using wood or sculpting stone, being a girl with no
experience of these things, and I replied that if Barbara Hepworth could
do this so could I. He asked me what art I’d seen and I replied with
something about a South American artist in a provincial gallery,
someone he had never heard of and therefore could not rank or place. I
plainly had not been to Italy, but I did know my local gallery, I knew
about Wright of Derby, there was a spark there, I was somewhere on
his list. However, I wasn’t high enough up the list and another rejection
left me with only the local art college and living at home another year
before the chance to apply elsewhere for the diploma.
For the Derby Art College interview I had to make an object ‘reversing
its properties’. I made a six-foot folding polystyrene tuning fork, brightly
multicoloured, held together with elastoplast. Bill couldn’t help smiling at
the multiple points of logic that I came up with - lighter, larger, not
vibrating, quiet, folding not rigid - it was ingenious, I had a place.
Next then, faced with staying at home for another year before I could
escape, I wrote off to Wales and secured a summer job as a
chambermaid and left on a fine morning with a girl I didn’t really get on
with, for six weeks in a hotel in Llandudno.
We slept in a depressing basement room and shared the unremitting
toil with two Welsh girls who wouldn’t speak English except the swear
words, and two irish girls who spoke Irish sometimes to each other and
thought God put out the stars at night and chattered in mass when they
took me along to the church. Helen and I were reduced to speaking in
French to retaliate with an extra language.I almost fainted with fatigue,
from hard work, and almost screamed from the repetitive noise of
clattering cups as one fitted into another. I almost got my head split open
when the boy chased me with a broom and hit me on the head with it
and for the first time I met girls so crude they tried to stick a finger up
you as you brushed the stairs. I accidentally burnt out the element in the
washing up machine. I took a day trip to Liverpool and saw both
Cathedrals but not the Beatles. One day I took myself off alone to an
Acker Bilk concert and met a boy.
We walked out to Conway Castle the next night and stood for some
hours under its floodlit splendour with the moon shining on the sea,
talking and talking and talking, and holding hands and eventually
kissing, so long that my head swam and my whole body felt weak and
wild, and he couldn’t tell that I had never done this before.
Then he was gone, one night of kisses and gone.
In Llandudno there was a sort of nightly passagiato up and down to
eye the talent, to be seen, and then a calling in at the coffee bar and
then up and down and round again. This was how I met Bryan, a bus
conductor. We lay down together in a bus shelter, clothed and chilly and
he shook all over. He was all trembling and respectful and kind and nice,
and wrote to me for a year after I left, sending large flowery cards, and
we never met again.
So, that was the summer – no harm done but a beginning made on life
beyond home. Nottingham University phoned and offered me a place
after all. I still phoned Leeds to see if they would also change their
minds, but they would not, so I was off to Nottingham, only sixteen
miles from home, but my Mum and Dad promised not to visit. When I got
there I found the new head of the art school was Bill, Bill English who
had taught the life class, so maybe he remembered me?
The college placed first year fine art students in digs, not on the
campus, because they spent half their time in town at the art
school. Rooms were shared and I was placed in the home of a Mrs
Careless, who really wanted boys not girls, and who would keep putting
off the one bar electric fire which was all we had, when we left the
room, even if we were popping to the toilet. It was a spartan room with
green patterned linoleum. She cooked us good Sunday lunches, shared
with her two sons but we didn’t appreciate them until it was too late, the
lunches not the grown up silent sons. We girls never offered to wash up,
believing we would not be wanted in the kitchen, but when we left she
berated us for never washing up, to our complete surprise.
Bryony was a tall girl with wavy blonde hair like Veronica Lake and a
boyfriend at home in Gateshead that she’d been going steady with. She
was easy to get on with and we took the bus into college together,
laughing and taking bread and dripping as a snack. Both slim as
anything, clever as paint and giggling at everything.
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